Ten years ago today

Ten years ago today, I set off at 8 o’clock on a Sunday morning to drive the three hundred miles from the Mediterranean village of Collioure to the city of Bordeaux.

Two hours or so later, I pulled into a service station on the autoroute. Fans in yellow and blue spotted my Leinster jersey, ‘Ah, Leinster’, they called, and then shouted, louder, ‘ASM, ASM’.

Reaching the outskirts of Bordeaux by one o’clock, I parked the car near a tram stop and bought a ticket. The carriage was well filled – a sea of yellow. I smiled and they began to sing, ‘Ireland’s Call’.

On reaching the city centre, where a change of trams was required, the number of ASM Clermont Auvergne supporters seemed to have multiplied exponentially. I was pulled into a group in order to be photographed with them.

‘Bonne chance’, they said, each of them offering a handshake.

Walking to the pub where Leinster fans had gathered, it was impossible to get near the doorway, let alone get inside, so I walked to a tram stop to go to the Stade Chaban-Delmas, a piece of Art Deco architecture built in 1930 that became the home of Union Bordeaux Bègles rugby club. With a capacity of 34,000, it was much larger than any of the grounds of clubs in Ireland or Britain.

The size of the crowd making its way to the match meant the tram could go no further than two stops, and I got out to walk.

The Leinster supporters had begun a march to the ground, led by a man with a blue flag and I slipped in among them. The streets were lined with yellow and blue attired ASM supporters applauding the arrival of the opposition support – it was a strange experience.

As we approached the stadium, the lines of Jaunard supporters converged and formed a funnel.  Passing through it meant exchanging handshakes with dozens and dozens of people – it was hard to imagine this happening anywhere else.

The noise generated in the stadium was tremendous, chants and tunes and songs and musicians, a constant barrage of sound.

Leinster were left winners of the match when in the 79th minute the Clermont winger Wesley Fofana knocked the ball forward instead of scoring a try, and then the ASM pack conceded a penalty on the Leinster goal line.

There was a feeling that we had robbed them, and even then they still shook hands with us in the stand, and as we left the ground.

It remains the most memorable sporting occasion I have ever attended.

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Patterns in the wallpaper

Fuchsia is in bloom in the garden of a friend. April seems an early time for it.

It evokes a jumble of images that crowded into the mind.

It evoked a windswept beach with clouds tumbling across the sky with Atlantic waves breaking on the beach. It evoked a headland with tufts of grass and clumps of fuchsia. Oddly, it evoked a pond, the surface of which is coloured by lilies and by reflections of the sky above.

The evening skies changed appearance as the light faded, tones and patterns that were not repeated.

The pondering of patterns evokes childhood imaginings when the print of the wallpaper or the weave of curtains could shape themselves into dragons or beasts of the night, but might just as easily become horses or the animals of everyday farm life.

There was a capacity for imagination in those years that faded with the advent of maturity.

Are there not countless people who had such thoughts, or similar ones as children?

There was a capacity to create the extraordinary, the unreal, from the things of ordinary reality. Thought, and a viewing of things through half-closed eyes, could transform the world around into something magical.

Dragons and horses inhabiting the wallpaper and the curtains belonged to a world that was a magical place where reality had not yet crushed the power of imagination, where strange and unusual beasts might be found in the bedroom of a small boy.

Anything is possible in the realms of the imagination; the unexpected, the unlikely, the absurd, they are all acceptable.

The radio presenter on RTE this afternoon asked what was people’s favourite art gallery.

I think I would have chosen the Tate at Saint Ives in Cornwall, a place that is a reminder that artists have a capacity to stir again the power of imagination.

It looks over Porthmeor Beach, a beach visited on a family holiday fifty years ago, and not visited since. It is a place where there is a mingling of memories from childhood years with a jumbled recall of many galleries visited in the intervening years.

The painters who sought colour and light in Brittany would have enjoyed the Cornish landscapes. The work of the abstract artists who gathered in Cornwall were a reminder of the capacity of the mind to go beyond the perceived reality, the images conjure a spectrum of moods and recollections.

Discerning shapes and patterns is a reminder of a childhood capacity for unreality, for being able to see things that were not there

 

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The smell of virtue comes from a tin

On Good Friday, we visited family graves placing flowers.

Some of the stones and surround were in need of a clean. Dirt and lichens had obscured the names of the departed, so last Tuesday one of my sisters and I returned with soft brushes and Jeyes Fluid diluted in water.

The fluid was efficacious in revealing inscriptions I didn’t even realize were present on the stones. For the first time I saw the name of Stanley John Crossman, a grand uncle who died before I was born.

Jeyes Fluid will always be evocative of High Ham Primary School with its two classrooms divided by a corridor leading to the cloakroom. Infants to the right, juniors to the left: was there knowledge worth learning that was unknown to our teachers?

The school had a set of smells to go with each season: the conkers from horse chestnut trees on the village green; the glue with which we stuck crepe paper to toilet roll tubes to make ‘candles’ at Christmas time; the coke carried in scuttles from the bunker to feed the pot-bellied stoves in the winter; the school milk from third of a pint bottles that had been left to warm; the scents from the school playing field as the county council tractor and mower cut stripes across the football pitch; the chlorine in the water of the swimming pool with blue plastic sides; the perspiration from kids in the area sports, anxious not to let down our little school in competition against places hugely bigger than our own.

But amongst all the smells, none compares with the Jeyes Fluid.

Jeyes Fluid brings memories of cleanliness and memories of discipline.  It went with the toilets and the cloakroom, where you were not to be without permission. It was the smell of the school after everyone had gone home at the end of the day and the cleaning began  It was the scent you caught when arriving for a new day.

If it is possible for smell to have moral value, then Jeyes Fluid was the smell of virtuosity; it was the smell of hard work and strict instructions.

Are associations between smell and memory different for every person, or are there certain links that are unbreakable? Is there a generation for whom Jeyes Fluid will always be the smell of education?

One splash of the liquid and I can step back fifty years to the summer of 1972, my last term in primary school.

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Sarson Days

We had fish and chips in a Temple Bar restaurant for lunch. They took forty-five minutes to serve them. The portion of fish was more batter than fish, the chips were more like the starch sticks they call ‘fries’ than like proper chips.

Searching for condiments, the vinegar and tomato sauce were in plastic sachets. The ketchup was not Heinz, and even worse for fish and chips, the vinegar was not Sarson’s.

Sarson’s has been a friend for as long as I can remember.

Sarson’s went over soggy chips wrapped in sheets from unsold newspapers.  Like Liam Clancy once said of eating pig trotters wrapped up in copies of last week’s Munster Express, ‘there was eating and there was reading’.  An over generous shake of the bottle and the paper became soggy and left newsprint on your hands.

Sarson’s went over bags of cockles bought from a stall at the harbour in Lyme Regis.  The shellfish already had their own saltiness; a shake of the maroon-labelled bottle gave them a piquant flavour.  If English seaside towns had a taste that captured a sense of the place, it was cockles and vinegar.

In undergraduate days, Sarson’s went over the huge portions of fish and chips my uncle would bring into his  home in Kew in west London at teatime each Friday.  ‘Now, who’s for what?’ he would say, pretending that he had forgotten the order on his way home.

During ordination training in Dublin, Sarson’s went over fish and chips at the Wimpy in Rathmines on the occasional visits there.  College food on Fridays was so bad that the extravagance of going to the Wimpy could be justified.  The fish and chips came with tea served in battered aluminium pots and with slices of white bread thinly spread with butter.  The food left you feeling full for hours afterwards

Sarson’s has always been there. Flick the lid and pour the vinegar over a bag of chips chips, and it is instantly summertime.  There is a memory of sitting in a car with a bag of hot chips perched on a knee. There is the sound of seagulls and the noise diesel engines of boats. There is the laughter of a Friday evening when a whole weekend stretched ahead and Monday was an eternity away.  There is a sense of all being well with the world.

Perhaps that is the real attraction of the Sarson’s: a whiff and, for just one moment, the realities outside fade away

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Skipping

There was no reason why boys didn’t use skipping ropes, we just didn’t.

Skipping was for girls and boxers.

The speed at which some boxers could skip was extraordinary. How heavily-muscled men could be so light on their feet was a mystery to a flat footed schoolboy who would have become immediately entangled in the rope.

In retrospect, the reason why boxers did skipping and other sportsmen did not is unclear. Perhaps it was because boxers had to work within the space of the gym, perhaps it was because it was particularly important for them to be able to move quickly and lightly so as to have the best chance of avoiding the blows of an opponent.

In school, girls did skipping. Their skipping was an altogether more sedate affair than that of the pugilists, not for them the rapid swing of the rope and staccato beat of feet on the floor. Instead there were songs and rhymes to be sung as the skipping took place.

One rhyme in particular remains:

Salt, mustard, vinegar, pepper,
French almond rock.
Bread and butter for your supper.
That’s all mother’s got.

The Wikipedia entry on skipping-rope rhymes is less than convincing. Which explorers? Where? And how many girls from poor families wore ‘pantalettes’?

Explorers reported seeing aborigines jumping with vines in the 16th century. European boys started jumping rope in the early 17th century. The activity was considered indecent for girls because they might show their ankles. There were no associated chants. This changed in the early 18th century. Girls began to jump rope. They added the chants, owned the rope, controlled the game, and decided who participated.

In the United States, domination of the activity by girls occurred when their families moved into the cities in the late 19th century. There, they found sidewalks and other smooth surfaces conducive to jumping rope, along with a host of contemporaries.

Another source suggests that, prior to 1833, the invention of pantalettes enabled girls to jump rope without displaying ankles.

Chants are intended to structure the game and are secondary, explaining the nonsense or irrational lyrics. These chants are unusual inasmuch as they were transmitted from child to child usually without an underlying reason, as opposed to nursery rhymes which were transmitted from adult to child and often contained a moral. Chants may contain girlish references to boyfriends or marriage.

The suggestion of a ‘sidewalk’ being necessary for skipping is contradicted by the experience of many of us who grew up seeing girls skipping in fields and on lawns.

Anyone who recalls the songs will know they are unusual, no explanation is offered regarding their source or transmission.

Why did girls sing about condiments and inadequate meals?

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